This Is Not A Drill: Edgar Wright Announces Original Scott Pilgrim Cast To Reunite In Anime Adaptation

Although not technically true, many fans would consider this his directorial debut, as his first official film, A Fistful of Fingers was not easily accessible and didn’t have a wide theatrical release. Hot Fuzz drew inspiration from Wright watching over 138 action films during the film’s research and development stage, and it is evident in the attention to detail seen throughout the film. Conceived as an antidote to British gangster films, Wright wanted to make a film that put the British police officers into the limelight. It tells the story of a straight-by-the-books police officer who gets promoted to becoming a Sergeant in a small rural town where crime rarely happened. However, things soon take a dark turn as certain members of the community get mysteriously picked off one by one.

Joe Cornish, now co-writing Tintin and Ant-Man with Wright, used to watch Spaced air before his own Adam and Joe show with admiration and envy. “Even back then Edgar was much more ahead of the game than the rest of us,” says Cornish. “We were doing little sketches and he was doing half-hour narratives – he was always being ambitious.”

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In 1999, he also directed the British television comedy series ‘Sir Bernard’s Stately Homes’ which ran for six episodes. He directed the episode ‘Confessions of a Murderer’ of the British dark comedy show ‘Murder Most Horrid’ as well. In November 2011, The Adventures of Tintin, directed by Steven Spielberg, produced by Peter Jackson, and based on Hergé’s The Adventures of Tintin was released. The film also co-starred Wright’s frequent collaborators Simon Pegg and Nick Frost. Given his private nature, it’s difficult to say for sure if Edgar Wright is dating anyone currently.

They hired Wright to direct their parodic sketch show ‘Mash and Peas’ for the Paramount Comedy channel in 1996. Wright has stated in The Film That Changed My Life that the film that most influenced him was John Landis’s An American Werewolf in London. Wright also mentioned Sam Raimi’s Evil Dead II and the Coen brothers’ Raising Arizona as films that made him want to be a director. When he met Raimi and told him so, Raimi joked to him, “Don’t say that, you make me feel old.”

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Wright’s focus — perhaps necessarily — is more on explaining to newcomers why this oddball act is so beloved. Along with the celebrity testimonials and old TV clips, Wright employs multiple forms of animation, effectively turning the Mael brothers into the abstracted heroes of their own offbeat adventure story. In the opening minutes of Edgar Wright’s documentary The Sparks Brothers, a who’s-who of musicians and entertainers talk about why they love Sparks, a long-running art-rock band led by brothers Ron and Russell Mael.

Wright’s attitude on making a musical

The film’s already wild premise is elevated even further when the group learns that everyone in their hometown has been replaced with robotic aliens. There is a strong argument to be made that Edgar Wright is, pun intended, the Wright fit for the James Bond franchise. With a unique vision that pushes the envelope and adheres to the artistic integrity of source material when applicable (like with Scott Pilgrim vs. The World), 007 fans really could have it all. Let’s hope that the filmmaker gets to pitch his idea to Barbara Broccoli and Michael G. Wilson when the time is right, as it sounds like that’s the only way the world will learn of what could happen. Quite possibly Edgar Wright’s best James Bond connection yet, Last Night in Soho sees the late Dame Diana Rigg playing the twisted older version of Ms. Alexandra “Sandie” Collins.

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Meanwhile, Taylor-Joy’s stardom grew, with starring roles in “Split” and “Thoroughbreds” establishing her range. However, due to creative differences with the studio, he was not allowed to direct the film. Adam McKay and Paul Rudd rewrote the script which was originally written by Wright. In January 2019, it was announced that his next film will be a horror thriller film set in London and inspired by films such as Don’t Look Now and Repulsion. In February 2019, it was revealed that the title was Last Night in Soho, with Anya Taylor-Joy attached to star.

The English director is best known for his work on teen film The Fault In Our Stars and, more recently, 2021 limited series Mare Of Easttown. Anna reportedly dated director Edgar Wright from 2009 through 2013 after meeting on the set of the movie Scott Pilgrim vs. The World. After working with Edgar Wright in ‘Asylum’, Simon Pegg and Jessica Stevenson decided to hire Wright for their own comedy show ‘Spaced’. Wright introduced new dynamics to the comedy show genre with his work in ‘Spaced’.

As Wright recounts on his personal blog, the only person whose approval he really sought when making Shaun of the Dead was Romero’s—so learning that Romero loved his horror-comedy was nothing short of transformative. (Romero called Shaun an “absolute blast,” a quote gleefully reprinted on the poster for the film.) The gracious Romero repaid Wright and I loved this Pegg’s homage by giving both of them cameos in Land of the Dead, his sly, politically charged 2005 return to the zombie genre. The film stars Ansel Engort as Baby, a getaway driver with tinnitus who uses music to soothe his condition. He drives a group of criminals from location to location as they perform various robberies while he stays behind.

Meanwhile, Edgar Wright cast the iconic Terence Stamp as Lindsay, the Silver Haired Gentleman, a.k.a. the ultimate red herring in Last Night In Soho’s central mystery. Of course, when you’ve got an adventure that requires an amazing blend of action and wit, it helps to have a composer like David Arnold on hand. Hot Fuzz doubled down on the Bond-ness of it all by enlisting Arnold to create the score for the action, the man having previously written 007’s music from Tomorrow Never Dies straight through to Quantum of Solace.

Their similarly “OCD” approach to film proved a quick-drying bond and the pair are now fast friends. ” projects in recent memory, especially given how long the filmmaker worked on trying to bring that comic to life. And ironically enough, perhaps Wright’s version of Ant-Man could have gotten the greenlight earlier in Marvel Studios’ run, before they had established a foundational aesthetic and way of telling stories. As a consequence of Wright being busy with other original projects, by the time he was able to move back into Ant-Man the Marvel Cinematic Universe machine was up and running. Wright completed his first draft of the Ant-Man script in 2008, but there was no pressure to get the film going ASAP given that the character, well, wasn’t exactly a top priority for Marvel Studios. They were busy trying to get their Phase One movies off the ground—Iron Man, The Incredible Hulk, Thor, Captain America—and build to The Avengers, so Wright continued to work on Ant-Man in between other projects.

Longtime MCU fans will likely know the behind-the-scenes story of the first Ant-Man film. It was originally set to be helmed by director Edgar Wright ofShaun of the DeadandScott Pilgrimfame. In fact, Wright was attached to the project going almost as far back as the inception of Marvel Studios as we know it. The Sparks Brothers marks a departure from Edgar Wright’s usual work, arriving in the form of the director’s first documentary film. The Sparks Brothersfollows the trials and tribulations of Ron and Russell Mael, members of the 1970’s pop-rock duo Sparks. The British director is one of the most outspoken movie and music fans of his generation, taking every opportunity to hype up his favorite artists in interviews and reference them in his films.

Legendary 007 composer John Barry’s theme from the 1960 film Beat Girl is included in the amazing list of tunes one can enjoy, albeit briefly. Edgar Wright’s The Sparks Brothersis an aspirational documentary that consistently hits the high standards it has set for itself. While containing ample references and Easter eggs for long-time Sparks aficionados to pour over and enjoy, the film also acts as a worthy introduction to the band for those unfamiliar with the Mael brothers. Nick Frost and Simon Pegg also dovetail hilariously to recreate interviews with Beatles members John Lennon and Ringo Starr. Although certainly a visually sumptuous film, Last Night In Sohois a stark tale of two halves whose initial, ghostly premise quickly devolves into standard period horror fare.